

While this was a heinous omission in_consumer software, considering the prevalence of AVCHD camcorders, it’s arrived just in the nick of time for the high-end Premiere Pro. Presets are included covering the majority of likely AVCHD formats, including anamorphic (1,440 x 1,080) and non-anamorphic (1,920 x 1,080) versions for all the standard frame rates – 24p and 25p, plus 50i and 60i. The biggest news here, though, as with Adobe’s consumer-oriented Premiere Elements 7 (web ID: 228267), is that at long last Premiere Pro supports AVCHD natively, so you don’t need to add a third-party plug-in such as CineForm’s Aspect HD. There’s a screen where you can set the capture format and other project settings, as well as the base-editing format. But the New Project window has seen a significant redesign. The interface itself offers purely cosmetic changes. In particular, Final Cut Studio 2 has won a significant following in recent times.Īnd despite the fact that Premiere Pro CS4 doesn’t have CS3’s return to the Mac as a headline grabber, it does have some important new capabilities that help it stay ahead. But being first doesn’t automatically mean you stay ahead of the pack, and Premiere Pro has increasingly found itself under pressure from above and below.
Adobe premiere pro cs4 software#
Dating back to the early days of Windows, it wrote the book on how this kind of software should look and feel on a PC.
Adobe premiere pro cs4 Pc#
Premiere has the lengthiest history of any PC video-editing package still in production.
